The kid doesn't chew tobacco, smoke, drink, curse or chase broads. I don't see how he can possible make it. ~ Richie Ashburn
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| | |  |  | |  | |  | From Chapter 3: The tobacco-tongs were more properly called ember-or brand-tongs. They sometimes had a tobacco-stopper riveted in near the axis of the tongs, and thus could be easily distinguished from other kinds of tongs. An example in the Guildhall Museum, made of brass, and probably of late seventeenth-century date, has the end of one of the handles formed into a stopper. In the same collection there are several pairs of ember-tongs with handles or jaws decorated. In one or two a handle terminates in a hook, by which they could be hung up when not required for use. In that delightful book of pictures and gossip concerning old household and farming gear, and old-fashioned domestic plenishings of many kinds, called "Old West Surrey," Miss Jekyll figures two pairs of old ember-or brand-tongs. One of these quite deserves the praise which she bestows upon it. "Its lines," says Miss Jekyll, "fill one with the satisfaction caused by a thing that is exactly right, and with admiration for the art and skill of a true artist." These homely tongs are fashioned with a fine eye for symmetry, and, indeed, for beauty of design and perfect fitness for the intended purpose. The ends which were to pick up the coal are shaped like two little hands, while "the edges have slight mouldings and even a low bead enrichment. The circular flat on the side away from the projecting stopper has two tiny engraved pictures; on one side of the joint a bottle and tall wine-glass, on the other a pair of long clay pipes crossed, and a bowl of tobacco shown in section." This beautiful little implement bears the engraved name of its Surrey maker, and the date 1795.
From Chapter 5: A Sussex rector, the Rev. Giles Moore, of Horsted Keynes, in 1656 and again in 1662, paid 1 s. for two ounces of tobacco, i.e. at the rate of 8 s. per lb. Presumably the rector bought the more expensive Spanish tobacco and the squire the cheaper Virginian. At the annual parish feast held at St. Bride's, Fleet Street, London, on May 24, 1666, the expenses included 3 d. for tobacco for twenty or more adults. This too was doubtless Virginian or colonial tobacco. The North Elmham Church Accounts (Norfolk) for 1673 show that 12 s. 4 d. was paid for "Butter, cheese, Bread, Cakes, Beere and Tobacco and Tobacco Pipes at the goeing of the Rounds of the Towne." On the occasion of a similar perambulation of the parish boundaries in 1714-15 the churchwardens paid for beer, pipes and tobacco, cakes and wine. The account-books of the church and parish of St. Stephen, Norwich, for 1696-97 show 2 s. as the price of a pound of tobacco. These entries, and many others of similar import, show that at feasts and at social and convivial gatherings of all kinds, tobacco maintained its ascendancy. Pipes and tobacco were included in the usual provision for city feasts, mayoral and other; and smoking was made a particular feature of the Lord Mayor's Show of 1672. A contemporary pamphleteer says that in the Show of that year were "two extreme great giants, each of them at least 15 foot high, that do sit, and are drawn by horses in two several chariots, moving, talking, and taking tobacco as they ride along, to the great admiration and delight of all the spectators." Among the guests at a wedding in London in 1683 were the Lord Mayor, Sheriff and Aldermen of the City, the Lord Chief Justice—the afterwards notorious Jeffreys—and other "bigwigs." Evelyn records with grave disapproval that "these great men spent the rest of the afternoon till 11 at night, in drinking healths, taking tobacco, and talking much beneath the gravity of judges, who had but a day or two before condemned Mr. Algernon Sidney."
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From Chapter 4: "A custom lothsome to the eye, hatefull to the Nose, harmefull to the braine, dangerous to the lungs, and in the blacke stinking fume thereof, nearest resembling the horrible Stigian smoke of the pit that is bottomelesse."—James I, A Counterblaste to Tobacco. From Chapter 4: The social history of smoking from the point of view of fashion, during the period covered by this and the next two chapters may be summarized in a sentence. Through the middle of the seventeenth century smoking maintained its hold upon all classes of society, but in the later decades there are distinct signs that the habit was becoming less universal; and it seems pretty clear that by the time of Queen Anne, smoking, though still extensively practised in many classes of society, was to a considerable extent out of vogue among those most amenable to the dictates of Fashion.
From Chapter 7: Negative evidence of this kind is abundant; and positive statements of the aversion of the beaux from smoking are not lacking. Dodsley's "Collection" contains a satirical poem called "A Pipe of tobacco," which was written in imitation of six different poets. The author was Isaac Hawkins Browne, and the poets imitated were the Laureate Cibber, Philips, Thomson, Young, Pope, and Swift. The first imitation is called "A New Year's Ode," and contains three recitatives, three airs and a chorus. One of the airs will suffice as a sample: Happy mortal! he who knows Pleasure which a Pipe bestows; Curling eddies climb the room Wafting round a mild perfume. Number two, which was intended as a burlesque of Philips's "Splendid Shilling," is really pretty and must be given entire. It reveals unsuspected beauties in the simple "churchwarden," or "yard of clay": Little tube of mighty pow'r, Charmer of an idle hour, Object of my warm desire, Lip of wax, and eye of fire: And thy snowy taper waist, With my finger gently brac'd; And thy pretty swelling crest, With my little stopper prest, And the sweetest bliss of blisses, Breathing from thy balmy kisses. Happy thrice, and thrice agen, Happiest he of happy men; Who when agen the night returns, When agen the taper burns; When agen the cricket's gay, (Little cricket, full of play) Can afford his tube to feed With the fragrant Indian weed: Pleasure for a nose divine, Incense of the god of wine. Happy thrice, and thrice agen, Happiest he of happy men. Coxcombs prefer the tickling sting of snuff; Yet all their claim to wisdom is—a puff; Lord Foplin smokes not—for his teeth afraid: Sir Tawdry smokes not—for he wears brocade. Ladies, when pipes are brought, affect to swoon; They love no smoke, except the smoke of Town; But courtiers hate the puffing tube—no matter, Strange if they love the breath that cannot flatter! Yet crowds remain, who still its worth proclaim, While some for pleasure smoke, and some for Fame.
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Tobacco History:
Cigarettes and Literature
From Chapter 2: Hentzner, the German traveller, who visited London in 1598, speaks of smoking being customary among the audience at plays, who were also supplied with "fruits, such as apples, pears and nuts, according to the season, carried about to be sold, as well as ale and wine." He was struck with the universal prevalence of the tobacco-habit. Not only at plays, but "everywhere else," he says, the "English are constantly smoking tobacco," and then he proceeds to describe how they did it: "They have pipes on purpose made of clay, into the further end of which they put the herb, so dry that it may be rubbed into powder; and putting fire to it, they draw the smoak into their mouths, which they puff out again through their nostrils, like funnels, along with it plenty of phlegm and defluxions from the head." This suggests that the unpleasant and quite unnecessary habit of spitting was common with these early smokers, a suggestion which is amply supported by other contemporary evidence.
From Chapter 8: More than one writer of recent days has absurdly misrepresented Johnson as a smoker. The author of a book on tobacco published a few years ago wrote—"Dr. Johnson smoked like a furnace"—a grotesquely untrue statement—and "all his friends, Goldsmith, Reynolds, Garrick, were his companions in tobacco-worship." Reynolds, we know— When they talk'd of their Raphaels, Corregios, and stuff, He shifted his trumpet, and only took snuff. Johnson and all his company took snuff, as every one in the fashionable world, and a great many others outside that charmed circle, did; but Johnson did not smoke, and I doubt whether any of the others did.
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Good food, good sex, good digestion, good sleep: to these basic animal pleasures, man has added nothing but the good cigarette. ~ Mignon McLaughlin, The Second Neurotic's Notebook, 1966
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